iskew

http://www.exterminal.net/

Wow.

Curiouser & curiouser.

But Mostly:
http://yearzero.nin.com/
(listen to the entire new album... holy crap it's excellent...seriously-- Capitol G, God Given... all of it)



First:
http://sadkermit.com/audio.html
(actually this kinda sucks, but some of the video is amusing)

To paraphrase what an early commenter on YouTube said:
nudity + homosexual sex + release on usb drives = no need for Mtv

Found in high and low res versions on multiple USB drives at the London NIN show last night.

Not the biggest fan of this song, but a decent video and great subversion of the current music video release system (such as it is).

Even non-NIN fans might find this site funny:
http://duhduhduhduh.phantomhourglass.org/main.php?id=31607

Your last album took six years. We've only had to wait 18 months for this one.
Trent Reznor (vocals): "It's been pretty interesting, I'm probably as surprised as some fans are (laughs). But really it's just a matter of discipline. When i was on the last tour, to keep myself busy i was just really hunkered down and was working on music the whole time, so this kept me in a creative mode and when i finished the tour i felt like i wasn't tired and wanted to keep at it."

Is there anyone else playing on the album?
"It's all me, mostly recorded in hotel rooms around the world on laptops. There maybe some surprise vocalists that pop up here and there - although i don't want to say who since the final mix hasn't been determined yet, and Josh Freese is playing the drums on one song, but it's not like a big guest star-type record. It feels a bit more focused in a certain direction than 'With Teeth' did,"

What's the concept?
"I'm trying to avoid getting too detailed about this but i will tell you that this is a concept record, and it's part of a bigger picture of a number of thing's I'm working on. Essentially i wrote the soundtrack to a movie that doesn't exist. This album is a bit more electronic and I'd say rhyme plays a bigger element in it than in the past and it's veering away from concern about song structure and getting played on the radio."

Are you talking about some kind of multimedia event?
"My goal is that the music can be interpreted with the richest context. So what I'm immersed in is a way to achieve that. Now that albums have gone from 12 inches of real estate with artwork and a whole aesthetic, to CDs, which are ugly and disposable, to nowadays just being a file on a computer, it's led me to putting a lot of thought in to ways to present music that still makes it feel important and that has depth and purpose."

Will it be a heavy album?
"It's not heavy in any kind of metal tyoe sense, I'd say a big inspiration sonically would be early Public Enemy records, a collage of sound type of thing, not heavy in a metal guitar kind of way."

On 'The Downward Spiral' and 'The Fragile' you blended together an extreme amount of disparate sounds and layers - is this moving further in that direction?
"Well Alan Moulder (long-time collaborator) was stunned when he first heard it. Normally a Pro-Tools session has alot of tracks and this time he was like 'You're kidding me, it's only this much stuff?'. The end result has a bit of racket to it, it's much more improvisational, less refined. With this record i feel alot less concerned about what people think about it - espcially the dying record industry. I couldn't care less about that right now."

From an interview in this month's Kerrang mag, picked up from ETS.